Corporate
Video Production
A film that introduces your company to a new customer, partner or job candidate in a few minutes. One team runs the entire production, from brief and script to filming, editing and subtitled versions.
From script to edit: a scene-by-scene timeline
Every corporate film starts with a storyboard and timeline like this before the shoot. Drag the playhead to see which shot is planned for each scene and where the voice-over lands. (Example 90-second cut.)
↳ Drag the timeline, use arrow keys, or click a card
Logo + one-line promise
Scene 1 · Opening
Opening: Wide · drone · slow push
From brief to subtitles, six layers of production
Brief & Script
We clarify who the film is for and where it will be shown, then build the story around that. The script comes to you in writing for approval, together with the scene flow, voice-over text and on-screen copy.
Storyboard & Shot List
Framing, lens, camera movement and approximate length are defined for every scene. The shoot day runs on this list, and each shot is checked off on set as it is captured.
Locations, Talent & Permits
Location scouting, casting of actors and extras where needed, and filming permits from the relevant authority for public spaces. Written release forms are obtained from everyone who appears on screen.
Camera, Lighting & Sound
Recording in a log profile that leaves room for color correction, lenses chosen per scene, and two cameras for interviews. Sound is recorded separately with lavalier and boom mics; audio missed on set cannot be recovered later.
Editing, Color & Sound Design
First a rough cut that locks the structure, then color correction and color grading, dialogue cleanup, ambient sound, effects and the final mix.
Music, Voice-Over & Subtitles
Licensed library music or an original score, a professional voice-over artist, and subtitles in Turkish and other languages. Subtitles are delivered as a separate SRT file or burned into the picture.
One company, four different edits
Pick a format and watch how the tracks on the timeline change: interviews carry an interview-led film, the narrator carries a voice-over film, scenes carry a scripted film and music carries a brand film.
Founders, managers and employees tell the story in their own words, intercut with footage of them at work. The structure with the least preparation and the most credibility. For a good result, speakers need to be put at ease beforehand with a short pre-interview.
On shoot day, who stands where on set?
A top-down plan of an example interview set. Select a crew member to light up the equipment and area they're responsible for.
One shoot, many versions
We film once; in the edit, versions for different channels are cut from the same footage. The queue below is an example scope; which ones are included in your project is listed item by item in the quote.
Output · 01
Main film
- File settings
- MP4 (H.264), 4K or 1080p · ProRes 422 master on request
- Where it's used
- Websitepresentationstrade fairsYouTube
Raw footage and editing project files are outside the standard scope; if you need them, they are added to the quote separately.
What determines the price?
Six channels shape the budget. Push the faders up and down to see which decision moves the scope which way; the meter shows relative load, not a price.
Overall scope
Shoot days & number of locations
Crew, travel and accommodation costs differ considerably between one day at a single location and a shoot spread across several cities.
What We Need From You Before Filming
How productive a shoot day is depends largely on preparation. We complete this list together after the brief meeting.
Let's talk about your project
Book a call ↗Where the film will be watched: website, sales presentation, trade fair, recruitment, social media. Length and versions are decided accordingly
A list and schedule of the people who will speak on camera; interview questions are shared with them in advance
The vector logo file, brand colors, fonts and brand guidelines, if you have them
Tidying the areas to be filmed and removing information that shouldn't be visible on screens, boards and desks
A single approver or team. Feedback from one source shortens revision rounds
A production
without surprises
What inflates the cost of a corporate film is usually not the set but decisions made afterwards. We put these four things in writing before the shoot.
About us →From the brief meeting to delivery day
- 01
Brief Meeting
We discuss the film's purpose, audience, the channels it will be used on, the budget range and any fixed release date.
- 02
Script & Storyboard
The storytelling approach is chosen; the script, voice-over text and a scene-by-scene storyboard are sent for your approval.
- 03
Pre-Production
Location scouting, casting, permits, the equipment list and an hour-by-hour shooting schedule are prepared.
- 04
Filming
Shooting follows the plan: interviews, scenes, detail shots and drone footage where needed.
- 05
Post-Production & Delivery
The first cut is shared; after the revision rounds in the quote, color, sound and graphics are finalized and all versions are delivered.
Frequently Asked
Questions
It depends on where it will be used. For websites and sales presentations, a main film of 1.5–3 minutes is a common choice; with longer films, viewer drop-off increases. Short 15–60 second versions for social media and ads are cut from the same footage. The length is agreed in the brief meeting based on the channels it will run on.
A film made up of a few interviews and supporting footage at a single location usually fits into one shoot day. Multiple branches or cities, scenes with actors, or shots tied to specific times such as sunset add days. The exact number becomes clear once the shooting schedule is drawn up in pre-production.
No. We write the script based on the information gathered in the brief meeting. What we need from you are the topics you want covered, the figures you want to highlight, and a check that the information is accurate. Technical terms and figures always go through your approval.
The number of revision rounds is stated in the quote. It's important to request structural changes such as scene order, length and script at the rough-cut stage; structural changes after color and sound are finished reopen the whole job. If a new scene that wasn't in the script requires an additional shoot, it is priced separately.
For interviews and real work moments, your own team is more convincing. For scenes with dialogue or re-enactment, professional actors need fewer takes and give a more natural result. If actors are used, the usage period and media are set out in the contract; renewal may be needed when the term ends.
With library music, license scope varies by package: it may be limited to web and social media, and TV broadcast or paid advertising may require an extended license. When we know from the start where the film will run, we get the right license; extending the scope later can add cost.
The main film is usually delivered in 4K or 1080p as an H.264 MP4; a ProRes 422 master can be exported for archives and broadcasters. Vertical, square and ad cutdowns, subtitle files and compressed web versions are prepared according to the scope listed in the quote.
Yes. For shoots in Cappadocia, neighboring provinces or locations further away, crew travel, accommodation and equipment transport, if needed, are shown as separate line items in the quote.
Industry-specific films and complementary work
Hospitality films that show rooms, restaurants and spa areas through the guest's eyes.
Industrial films that show buyers your production line, quality control and capacity.
Videos showing how a product is used and its details, for e-commerce and ads.
Aerial shots of facilities, campuses and surroundings, with permitted, planned flights.
Logo animation, on-screen text and explainer graphics for your film.
Team portraits and location photos within the same shooting plan.